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Live and Let Live (Bright​-​Side Mix)

by Peter Gabriel

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Jo Brownrigg
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Jo Brownrigg I absolutely love this song. I play it every morning on my way to work. So uplifting and makes you feel good. The singing towards the end gives me goosebumps. Thank you for sharing this. Perfection 🥰 Favorite track: Live and Let Live (Bright-Side Mix).
patparkerrn
patparkerrn thumbnail
patparkerrn Aaaaaah! Finally, we're here -- the 12th Full Moon and the "last" song for the time. I must say THANK YOU VERY MUCH for all of it; for the tour, the beautiful visuals and the very interesting topics (as usual) You've gone and done it again, Peter Gabriel! Thank you and everyone involved. A very nice "gift" for the end of 2023 -- looking for more in 2024!
mozo1966
mozo1966 thumbnail
mozo1966 Very uplifting song great sentiment and very catchy groove. Fantastic song to end the album on. Great journey has been had throughout 2023.. many many thx and peace to all Favorite track: Live and Let Live (Bright-Side Mix).
enriquemoran
enriquemoran thumbnail
enriquemoran The wait was completely worth it. Every song is wonderful, and the entire album is a work of art. Musically speaking, it's filled with virtuosity, maturity and depth. Thank you for sharing this; it's truly amazing! Favorite track: Live and Let Live (Bright-Side Mix).
Bruno GALLOIS
Bruno GALLOIS thumbnail
Bruno GALLOIS Here we are, the album we've all been waiting for is now complete. I still remember our meeting in Paris at the Azzedine Alaïa foundation, when you told me about your desire and choice to release a track for each full moon, a unique gamble of its kind, and you succeeded in accompanying me throughout 2023, both in audio and in concerts between Paris and Quebec.
Thank you so much for all your artistic generosity. Favorite track: Live and Let Live (Bright-Side Mix).
kiks2019
kiks2019 thumbnail
kiks2019 Probably my favourite track from the live set. Great song and a sentiment that couldn't be any more relevant in the world right now. The I/O journey is now complete. Stunning album Peter!
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about

This final song, the last to be written for the album, is released on the full moon of 27 November, 2023, and called Live and Let Live.

This is the Bright-Side Mix by Mark 'Spike' Stent.

In a break from previous months, all three mixes are released simultaneously. Also available are the Dark-Side Mix by Tchad Blake and the Atmos In-Side Mix by Hans-Martin Buff.

The song is accompanied by the striking ‘Soundsuit’ artwork of Chicago based artist Nick Cave.

Written and produced by Peter Gabriel, Live and Let Live is a song about forgiveness, tolerance and optimism. A joyous, rousingly-positive closing note for the album.

‘Music can be like a box of mood pills that we can use to treat ourselves and a lot of the work of the Reverberation project is focused on that sort of idea. When someone suggested that forgiveness might be a topic to write about, at first, I thought, ‘that's not interesting to me,’ but then I remembered two things. Archbishop Desmond Tutu, who was the chair of The Elders and a real mentor for me, led the Truth and Reconciliation Committee in South Africa and that really allowed people to expose, report and maybe feel again some of the horrors of the apartheid era. I remember he always said that listening made a huge difference, just making sure people felt heard and recognized. Then, sometimes, it created a space for forgiveness.

There's also a description that Nelson Mandela gave when he was released from jail after 27 years in prison and found himself about to become president of South Africa, standing next to some of the people who'd been responsible for keeping him in jail all that time. He said he felt some of the old fear and hatred swelling up inside him but when he thought hard about it, he realized that he needed to find a way to work with these people, to build what he called his rainbow coalition. He needed to feel their humanity and ultimately to find a way to forgive them. He was quite sure that if he couldn't forgive them and find a way to work with them, that he would remain their prisoner for the rest of his days.

Now, I know if we look at what's happening in the Middle East now or in Ukraine, all sorts of places around the world where there's still violence and brutality, to walk around with a bunch of flowers, preaching forgiveness seems trite and pathetic, maybe. But in the long run, I think people have to find a way. ‘Peace only happens when you respect the rights of others’ is a quote from the Peace University in Costa Rica and I think that's a really important message for me and for my life. You either belong to that hurt or you free yourself and forgiveness is clearly a super effective way of freeing yourself.’

Live and Let Live, the last song to have been written for the album, features contributions from many players already heard on other songs, such as Tony Levin, David, Rhodes, Manu Katché, Brian Eno, Melanie Gabriel, John Metcalfe and the New Blood Orchestra. Notable other contributions come from Steve Gadd ‘wonderful grooves created with brushes’ that are looped at the start of the song, some beautiful trumpet by Paolo Fresu ‘soulful and poetic’ and the return of the singers of Soweto Gospel choir ‘great voices and this deep soulfulness, their additions are always wonderful for me.’

These November full moon releases all come with artwork ‘Soundsuit’ by Nick Cave.

‘Nick Cave does a lot performance, movement and dance work, but these extraordinary figures, for which he is best known, ‘Soundsuits’, are amazing. They are like armour. Beneath all this exuberant colour you can’t actually sense the race, the class, the wealth or the gender of the person wearing the Soundsuit, so, you have that sense that you are not going to get attacked for pre-conceived ideas about who you are or what people like you are like… it’s a very positive spin on a negative situation. Nick’s work is very interesting and unusual and I am very glad that he was happy to be part of this.’

lyrics

Just how much does it have to hurt
Before you let go the pain
And just how deep does it have to be
Before you yearn to be free again

Every word can lock you away
You can walk or you can choose to remain
But everyday can pass you by
While you are holding the key

This is how it turns
This is what we do
This is who we are
When we forgive, we can move on
Release all the shackles one by one
We belong to the burden
Til it’s gone

Just how long do you want to hate
With all that anger to burn
You dream of revenge and you dream of reply
You’d hope that someday we’d learn

Every time you think of that hurt
It spins around in your mind
With an eye for an eye again and again
Until the whole world is blind

This is how it turns
This is what we do
This is who we are
When we forgive, we can move on
Release all the shackles one by one
We belong to the burden
‘Till it’s gone

Yeah, yeah, yeah
Lay the burden down
I’m gonna lay the weapons down
Lay the burden down
And it’s William Blake who inks his sting
Drawing out Martin Luther King
Tutu and Madiba
Saying rainbows do exist
The voice of the elders coming through the mist

Lay the burden down
Lay the weapons down
Lay the burden down
Lay the weapons down

It takes courage to learn to forgive
To be brave enough to listen
To live and let live

It takes courage
To start to forgive
To be brave enough to listen
To live and let live
Let live
Let live
Let live
Let live and let live
Let live

It takes courage to learn to forgive
To be brave enough to listen
To live and let live
Let live

Live and let live
Let live

Live and let live

Live and let live

Live and let live

Live and let live
Let live

credits

released November 27, 2023
Words and Music: Peter Gabriel
Engineering by Oli Jacobs, Katie May, Dom Shaw
Additional engineering by Faye Dolle, Stefano Amerio
Assistant engineering by Faye Dolle, Dom Shaw
Orchestral engineering Lewis Jones
Orchestral assistant engineering by Tom Coath, Luie Stylianou
Pre-production enginneering by Richard Chappell
Produced by Peter Gabriel
Mixed by Mark 'Spike' Stent
Mastered by Matt Colton at Metropolis
Recorded at Real World Studios, Bath, The Beehive, London, British Grove, London, High Seas Studios, South Africa, ArteSuono Studio, Cavalicco (UD)/Italy
Cover Soundsuit by Nick Cave

Drums: Manu Katché
Snare Brushes Loop: Steve Gadd
Rhythm Programming: Peter Gabriel, Oli Jacobs, Brian Eno (Morph Kit), Richard Chappell
Percussion: Peter Gabriel (tambourine), Katie May (clay pot)
Bass: Tony Levin
Electric Guitar: David Rhodes
Piano and Synths: Peter Gabriel
Additional Synths: Brian Eno
Trumpet Solo: Paulo Fresu
BVs: Peter Gabriel, Melanie Gabriel, David Rhodes
Choir: Soweto Gospel Choir
Soprano: Linda Sambo, Nobuhle Dhlamini, Phello Jiyane, Victoria Sithole
Alto: Maserame Ndindwa, Phumla Nkhumeleni, Zanele Ngwenya, Duduzile Ngomane
Tenor: George Kaudi, Vusimuzi Shabalala, Xolani Ntombela, Victor Makhathini
Bass: Thabang Mkhwanazi, Goodwill Modawu, Warren Mahlangu, Fanizile Nzuza
Choir Solos: Phello Jiyane (Soprano)
Duduzile Ngomane (Alto)
Vusimuzi Shabalala (Tenor)
Fanizile Nzuza (Bass Voice)
Victor Makhathini (Male voice Zulu improvisations)
Phumla Nkhumeleni (Female ululating and chanting)
Musical Director / Vocal Arranger: Bongani (Honey) Ncube
Choir Engineer: Jacques Du Plessis
LVs: Peter Gabriel

Orchestral Arrangement: John Metcalfe with Peter Gabriel
From the New Blood Orchestra:
Violins: Everton Nelson, Richard George, Natalia Bonner, Cathy Thompson, Debbie Widdup, Odile Ollagnon, Ian Humphries, Louisa Fuller, Martin Burgess, Clare Hayes, Charles Mutter, Marianne Haynes
Violas: Bruce White, Rachel Roberts, Fiona Bonds, Peter Lale
Cellos: Ian Burdge, Caroline Dale, Tony Woollard, Chris Worsey, William Schofield, Chris Allan
Double bass: Chris Laurence, Lucy Shaw, Stacey Watton
Orchestra Conductor: John Metcalfe
Orchestra Leader: Everton Nelson
Sheet Music Supervisor: Dave Foster
Orchestra Contractor: Lucy Whalley and Susie Gillis for Isobel Griffiths Ltd

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Peter Gabriel England, UK

Peter Gabriel is best known as a musician. He started his solo work in 1975 after leaving his old school group: Genesis. He has released eleven solo albums and written soundtracks for three films.
Peter is now writing and recording, and working on a plan to create a streaming service for digital medicine and an Interspecies Internet.
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